TAKE IT or LOSE IT ONLINE MARKETPLACE, June 18-July 17, 2021 at Collar Works in Troy NY

Honored to have a piece in the online show 'TAKE IT or LOSE IT Marketplace' at Collar Works.

THE BIG TAKE
May 28 - July 17, 2021
An Exhibition + Art Auction In Support of Collar Works + Community

Exhibition Statement

We are shaking things up this year for our annual fundraiser and we invite you to join in on the art heist The BIG TAKE. Collar Works is offering up the best of the best in a vibrant, serious, yet playful exhibition of contemporary art that celebrates creativity, sparks dialogue, and brings our Collar Works family and community together in support of emerging and underrepresented artists making unexpected, challenging, and provocative works! We invite you to play your part and purchase incredible works of art at dynamite prices, all for a great cause!

In what feels more like a segment on The Price is Right than a big art heist, we invite you to experience, bid, and purchase works of art in support of Collar Works' mission. This exhibition in our main gallery is a rare opportunity to showcase the talented artists behind the Collar Works family, together with an artist they admire, and invite to share space while engaging in conversation around spirited contemporary art.  Works will be available for sale throughout the duration of the show. For works in the auction, bidding begins on June 18th and ends on July 17th. In conjunction with The Big Take, we have over 50 artists exhibiting and selling works in our online exhibit Take It or Lose It. Proceeds from both exhibitions will be split 50/50 between the artists and Collar Works.

Join us for the final night of the auction and to celebrate Collar Works and the community at the ART PARTY of the summer on Saturday, July 17th! It’s going to be a steal!

VIEW OUR ‘TAKE IT or LOSE IT Marketplace featuring over 50 artists nationwide!


JUNE 14-SEPTEMBER 1, 2021: SKYWAY 20/21: A Contemporary Collaboration at USF Contemporary Art Museum, Tampa FL


 


Skyway 20/21: A Contemporary Collaboration

  • Museum of Fine Arts, St. Petersburg - May 22 – August 8, 2021
  • The John and Mable Ringling Museum of Art, Sarasota - June 20 – September 26, 2021
  • Tampa Museum of Art, Tampa - June 3 – October 10, 2021
  • USF Contemporary Art Museum, Tampa - June 14 – September 1, 2021

 

Visit theSkyway 20/21: A Contemporary Collaboration website for more information on the curators and the exhibition.

 

The Skyway 20/21: A Contemporary Collaboration exhibition, now in its second iteration, is a celebration of artistic practices in the Tampa Bay region, as it is a collaboration between four institutions: the Museum of Fine Arts, St. Petersburg; The John and Mable Ringling Museum of Art, Sarasota; the Tampa Museum of Art; and the University of South Florida Contemporary Art Museum, Tampa. Working together, curators from each institution offer context for the diversity of art being made in Hillsborough, Manatee, Pasco, Pinellas, and Sarasota counties. Artworks and projects in the exhibition were selected by museum curators and the guest juror, Claire Tancons, an independent curator and scholar whose practice takes a global focus on the conditions of cultural production. Tancons has curated biennials around the world, including Prospect.1, New Orleans; the 2008 Gwangju Biennial; and the 2019 Sharjah Biennial.

Artists featured at the USF Contemporary Art Museum are Rosemarie Chiarlone, Danny Dobrow, Babette Herschberger, Akiko Kotani, Cynthia Mason, Ry McCullough, Casey McDonough, and Kodi Thompson.

Skyway 20/21: A Contemporary Collaboration at the USF Contemporary Art Museum is supported by the Gobioff Foundation, the Stanton Storer Embrace the Arts Foundation, the Lee and Victor Leavengood Trust, and Dr. Allen Root in honor of his late wife Janet G. Root.

 

USFCAM HOURS + ADMISSIONS

Monday-Friday 10am-5pm; Closed Weekends and USF Holidays (July 5) – Reservations required for visits June 1425. No reservations required starting June 28 when USF lifts COVID restrictions on public access to campus

Admission to the Museum is free; however, a USF parking permit ($5.00 daily) or pay-per-space parking is required. Please call (813) 974-4133 for questions regarding reservations, parking, directions, or more information on events associated with the exhibitions.

 

RELATED EVENTS

Thursday, June 17, 2021
Skyway 20/21: A Contemporary Collaboration - ART Thursday: Online Panel Discussion
6-7:30pm EDT, Online - REGISTER NOW! - https://zoom.us/webinar/register/WN_8VD6S7qiQ_qbw47LQAsWEA

Join this online program to hear from four artists featured in USFCAM’s Skyway 20/21: A Contemporary Collaboration. Artists Danny Dobrow, Babette Herschberger, Akiko Kotani, and Casey McDonough will discuss material investigations and transformations within their creative practice in dialogue with Sarah Howard, Curator of Public Art and Social Practice.

Thursday, July 01, 2021
Skyway 20/21: A Contemporary Collaboration - ART Thursday: Online Panel Discussion
6-7:30pm EDT, Online - REGISTER NOW! - https://zoom.us/webinar/register/WN_15vuSiF3RGOwIy58TQvd0Q

Join this online program to hear from four artists featured in USFCAM’s Skyway 20/21: A Contemporary Collaboration. Artists Rosemarie Chiarlone, Cynthia Mason, Ry McCullough, Kodi Thompson will discuss their process for developing their unique visual language and how it imbeds and expands meaning in their practice. Moderated by Sarah Howard, Curator of Public Art and Social Practice.


APRIL 19-25, 2021: REFLECTING ON CHANGE: HOW DOES THIS FEEL? at Coco Hunday, Tampa FL

FOR IMMEDITATE RELEASE:
Reflecting on Change: How does this feel?

In these bizarre and unpredictable times with a global pandemic, an insurrection, continuous
battling for basic human rights, and more, we are forced to reflect on the state of the world, of
the U.S. and ways to cope through these incidents. “Reflecting on change: How does this
feel?” is a multimedia exhibition featuring the work of contemporary artists: Cynthia Mason,
Eugene Ag., and Cindy Leung at Coco Hunday. This exhibition will show artwork using
juxtaposing un-traditionally fine art materials to grapple with identity and the tactility of
materials in new, innovative ways. This exhibition will feature a resurgence of craft media that
has been transformed into contemporary practices over the past decade. By using these
alternative mediums and techniques, artists are able to intertwine both material exploration and
personal histories to share their varied experiences as a reflection of the times.

Curators, Krystle Lemonias and Aimee Jones are MFA candidates at the University of South
Florida. This exhibition will host a virtual opening through IG live
on https://www.instagram.com/psychicjacuzzi/. Krystle will moderate a discussion with each
artist about their works and art practices. Follow @psychicjacuzzi all week to learn more about
the featured artists and their works. We also welcome in person visitors during this opening
who follows social distancing guidelines and with a face mask.

Reflecting on Change: How does this feel? opening reception/virtual artist talk at Coco Hunday
on IG Live @psychicjacuzzi and in person from 5-6pm (ET). This exhibition shows from April
19-25th.

Location: 304 West Crest Ave. Tampa, FL, 33603. and IG live @pyschicjacuzzi
Show Title: Reflecting on Change: How does this feel?
Exhibition dates: April 19th-25th
Opening Reception: Monday, April 19th 5-6pm (ET)
Gallery Hours: By Appointment only
For inquiries, please contact: klemonias@gmail.com or aimeej044@gmail.com
To schedule an appointment, please contact: jasonlazarus@gmail.com


SKINS IN IT

NEIL BENDER & CYNTHIA MASON
January 28-March 5, 2021

Exhibition at Art Center Sarasota
Virtual Opening: TBA

The exhibition ‘Skins in It’ is an installation of multi-media works that deal primarily with the experience of the body—both imagistically and metaphorically—through a variety of means.

Neil Bender’s work is interested in the complexity of sexuality and the body through paper and paint, making flattened images that play with the shallow spaces of slightly-overlapping images, and the shallow spaces of popular cultural vernaculars. Recent images range from small-scale collages and sketchbook drawings to shaped, cut-paper garments, and large, expansive wall murals.

Cynthia Mason’s low-relief and sculptural wall pieces deal with a plethora of materials to crate abstract forms that riff off of grids and known structures that are uncanny and disarming. Some of the soft sculptures recall solid objects (handbags and shoes), but lack rigidity. Some recall the body, but lack smooth contours. Sewn from coarse fabrics and stuffed with shredded documents, they bloat and pudge. Gender is rendered in provocative shapes noisily on display, questioning gender performance in politics and how we consume it.

Both artists use whimsy and serious play to make viewers aware of the potency of negotiating and reconciling art amongst other bodies in public spaces.

The variety of scales and shapes of both artists’ work lends to creative hangings and relationships. The imagined asymmetrical and challenging hanging of the show is emphasized by the rectilinear quality of the gallery space.

A site-specific atmospheric wall painting serves as a stage for the actors (the paintings, drawings, and sculptures) to have enhanced dialogues—revealing a kinetic, tactile, and immersive collaborative experience that is sensorily-engaging, ribald, and pleasurable.

Download pdf catalog: SKINSINIT_catalog WEB



WHAT WE CREATE MAY SAVE US

https://vimeo.com/502875268

curated by Cynthia Reynolds
video produced by Cynthia Reynolds

October 2-30, 2020 | Ejecta Projects | Carlisle, PA

Kate Alboreo
Yael Azoulay
Patty Barth
Claire Blanchette
Elisabeth Condon
George Ferrandi
David B. Frye
Tom Keating
Cynthia Mason
David McQueen
Maureen O'Leary
Kimberly Reinhardt
Cynthia Reynolds
Samantha Robinson
Jillian Rose
Jonathan Sims
Meredith Starr
Elise Wunderlich

what we create may save us

The Great Oxygenation Event, which occurred approximately 2.3 billion years ago, radically altered the earth’s atmosphere. It made possible the development of more complex and diverse forms of life, even as it caused those dependent upon previous conditions to die off. This global transformation was brought about by cyanobacteria, which use photosynthesis to convert sunlight into energy and release oxygen as a byproduct. For reasons that are not entirely clear, the cyanobacteria began to produce oxygen in quantities sufficient to overwhelm the “sinks” - environmental factors that absorb oxygen and prevent it from accumulating in the atmosphere. Increased levels of free oxygen eventually gave rise to things that could breathe, and led to the extinction of things that could not.

Today, we find ourselves at another atmosphere-defining crossroads, both figuratively and literally. We face grave threats to the survival of our democracy, our health, and our planet. As we grapple with painful aspects of our history, navigate our increasingly fraught relationship with the truth, adjust to existential dangers posed by simple human contact, and recognize our role in the destruction of the environment, we ask ourselves what part we can play in transforming our toxic atmosphere. As artists, we take up the mantle of the cyanobacteria to which we owe our existence. We filter our inspirations through encounters with the natural and built worlds, the past and the future, the unknown and the familiar, and the beautiful and the ridiculous. We release the byproducts of our observation, alienation, humor, skepticism, joy, anger, hope, and disillusion into the atmosphere in an effort to overwhelm the sinks of complacency, greed, ignorance, and hate.

Our individual expressions come together in a collective display of what matters to us. When so many of our connections to people and places have been interrupted or broken, we send our creations into the world as proxies through which we can still convey meaning and participate in conversation. At the same time, we long for the togetherness of Wayfarers (brooklynwayfarers.org), the cooperative studio program and gallery in Bed Stuy, Brooklyn, that is responsible for bringing this group of artists into the same oxygenated orbit. As we prepare to bid it farewell with this final Member Exhibition before it closes its doors in December, we acknowledge the bittersweet reality that even things that can breathe must eventually die, but only after they have first lived.

Cranes in August

They clutter the house,
awkwardly folded, unable
to rise. My daughter makes
and makes them, having heard
the old story: what we create
may save us. I string
a long line of them over
the window. Outside
the gray doves bring
their one vowel to the air,
the same sound
from many throats, repeated.

-Kim Addonizio kimaddonizio.com

instagram.com/kalboreo/
instagram.com/azoulayael/
instagram.com/clr_fall/
instagram.com/elisabethcondon/
instagram.com/jumpstarlove/
instagram.com/david.b.frye/
instagram.com/tomkeatingillustration/
instagram.com/cynthiamasonvisualart/
instagram.com/mcqueenstudios/
instagram.com/maureen__oleary/
instagram.com/kimkimkim.kim/
instagram.com/cynthia.reynolds/
instagram.com/samantha___robinson/
instagram.com/jillian__rose/
instagram.com/chromadetic/
instagram.com/meredithstarr/
instagram.com/elise_wunderlich/


MARCH 7-28, 2020 PAINTING AT NIGHT, Fort Houston Gallery


Top: Sculpture by Katherine Duclos. Bottom: Wall pieces by Lauren Rice and Emily Zarse.
Photography by Kaylan Buteyn


Virtual Exhibition Tour: Painting at Night



JANUARY 30, 2020 'ARTISTS WORK OUT THE DAILY GRIND' by Brian Slattery / New Haven Independent

A thoughtful review from Brian Slattery of 'The Daily' at Ely Center of Contemporary Art in New Haven. Curated by Sharon Bulter of Two Coates of Paint:

PDF VERSION


LINK TO NEW HAVEN INDEPENDENT



DECEMBER 14-FEBRUARY 1: Stalls at the Morean Center for Clay


The Center Gallery, curated by Artist-in-Residence Danny Dobrow, is a contemporary installation of local boundary testing artists. Each of the five invited artists were challenged to transform a narrow white stall. Celebrated local art community favorites:
Cynthia Mason
Sebastian Coolidge
Casey McDonough,
Ashley Lester
Danny Dobrow

were challenged to transform spaces divided by petition walls. The diversity of execution reflects their distinct visions and audiences are invited to explore the commonalities of response to the constraints of a stall.

Morean Center of Clay


 


NOVEMBER 18-30, 2019: American Wilderness at Art Lab Tokyo

American Wilderness
Art Lab Tokyo and Art Lab Akiba
artlab-tokyo.com

Nov 21-30, 2019
Opening Thursday, Nov. 21, 6-8 pm
Gallery Hours: Thursday-Saturday and Monday-Tuesday, 3-8 pm
photo credit: Chiakara Photography

The concept of “wilderness,” untamed land lacking conspicuous traces of human activity, has existed as an essential fantasy in the American psyche. True wilderness may be physically disappearing every day but that does not stop us from recrafting wilderness from scratch so that we may explore and escape. As part of an artist exchange, five American artists from the Wayfarers collective in Brooklyn, New York create an exhibition of new works at Art Lab Tokyo. These new works, developed in the US, and curated by the artists, explores wilderness graphically and metaphorically.

For the artists wilderness is often experienced on a journey undertaken in cars or on foot, with provisions, with maps and with guides pointing to the unknown. Expectations of grandeur and of a primal privacy are triggered. The government may have preserved these wild areas in advance for us. New encounters with plants and animals are anticipated. These are experienced with loved ones and become new memories and future secrets.

When we think we have finally arrived in wilderness we often trip over the leavings of another explorer. A shock (or disappointment) that we are not alone and are perhaps being watched. Or did the previous explorer perish? Unexpectedly, someone else’s garbage can comfort, a handhold against an abyss as we peer over the cliffs, trudge in the woods, or listen to the stars.

Press Release


Recipient of a 2019 Professional Artist Grant from Creative Pinellas

 

So honored and grateful to have received a 2019 Professional Artist Grant from Creative Pinellas!


The Creative Pinellas Professional Artist Grant is designed to support and sustain Pinellas County’s creative community and to enhance the County as an arts and culture brand.  The program provides an unrestricted financial award to Pinellas County artists of outstanding talent and ability who, with a history of increasingly successful work on the local, national, or international stage, bring recognition, awareness and interest to our community, inspire other artists and art lovers, and help make Pinellas County a vibrant arts and cultural community.

New in 2019, the Grants of $5,000 each are open to performing artists as well as to artists doing original work in the disciplines of:

  • Choreography (composition/performance)
  • Literature
  • Interdisciplinary
  • Media Arts
  • Music (composition/performance)
  • Theater/Musical Theater (composition/performance)
  • Visual Arts

 

a C


FEBRUARY 16 - MARCH 9, 2019: Group Exhibition 'America's Majestic Street Cats' at Quaid Gallery

America's Majestic Street Cats
February 16 - March 9, 2019
Opening Reception February 16, 7 - 10 p.m.

QUAID Gallery is pleased to present America’s Majestic Street Cat, a group exhibition featuring works in a wide variety of media selected by current members of QUAID. Exhibiting artists include: Cynthia Mason, Paul Shortt, Muyuan He, Jonathan Talit, Will Douglas, Courtney Hartle, Carlos Pons, Daniel Dobrow, Adam Mathieu, Jason Pinckard, Katelyn Montagna, Andres Ramirez, Bonnie Mae Carrow, Tim McMillan, Chase Palmer, Rhonda Donovan, Ben Galaday, Emily Bayless, and Kate Kinder.

The exhibit will be open to the public at QUAID Gallery, 5142 N. Florida Avenue, Tampa, from February 16 through March 9.The exhibition will open with a reception at QUAID Gallery on Saturday, February 16 from 7 to 10 p.m. and will run through March 9. The opening reception is free and open to the public.

Facebook: https://www.facebook.com/QUAIDgallery
Instagram: www.instagram.com/quaidgallery

QUAID GALLERY
5128 N. FLORIDA AVE
TAMPA, FL
quaidgallerycontact@gmail.com

 



SEPTEMBER 28-OCTOBER 21, 2018: Member Show at Wayfarers in Brooklyn, NY

SEPT 28 - OCT 21
OPENING RECEPTION: Saturday, September 29th, 11am
1109 DEKALB AVE. Brooklyn, NY 11221

Join us Sat, Sept 29th, 11am - 1pm
for coffee, donuts and mimosas
Curator's Talk at noon

Curated by Tom McGlynn. Featuring works by David “Scout” Mcqueen, Maureen O’Leary, Meredith Starr, Cynthia Mason, Jeong Lee, Tahnee Ann Macabali Pantig, Kate Kosek, Cynthia Reynolds, Elise Wunderlich, Taehee Whang, Brian Davis and Ivan Rivera.

brooklynwayfarers.org


SEPTEMBER 21–OCTOBER 19, 2018: At Hand, An Exhibition Celebrating The Poetry of The Hand-Made, at UT Scarfone/Hartley Gallery

On Sept. 21, The University of Tampa’s Scarfone/Hartley Gallery will open a new exhibition, At Hand, exploring the intersection of color, materiality and the blurred lines between image and object. The exhibition runs from Sept. 21–Oct. 19, with an opening reception on Friday, Sept. 21, from 7–9 p.m.

Curated by Ry McCullough, Assistant Professor of Art and Design, At Hand brings together works by three nationally recognized contemporary artists — Damien Hoar De Galvan, Cynthia Mason and Ryan Sarah Murphy — developing a conversation between artists to explore this nexus in contemporary art. Each artist brings a unique aesthetic vocabulary that elevates humble materials by celebrating the poetry of the hand-made through their exceptional sculptural works.

Hoar De Galvan, from Boston, recently showcased at the VOLTA NY 2018, a division of the Armory Arts Week in New York City. Mason, a local artist from St. Petersburg, FL, was recently seen in the renowned Skyway exhibition at area museums. Murphy, from Brooklyn, NY, participated in the Art on Paper Fair 2018, another part of the Armory Arts Week program.

The gallery is located on campus in the R.K. Bailey Art Studios at 310 North Blvd. Gallery hours are 10 a.m.–4 p.m., Tuesday–Friday, and 1–4 p.m. Saturday. There is no charge for admission.

For more information, contact Jocelyn Boigenzahn, gallery director, at jboigenzahn@ut.edu or (813) 253-6217.


SEPTEMBER 14-OCTOBER 21, 2018 Florida Biennial at the Art and Culture Center/Hollywood, FL

2018 Florida Biennial, September 14 - October 21, 2018

The 2018 Florida Biennial features 68 works by 30 artists who were selected by juror Sarah Fritchey from entries submitted to the Art and Culture Center/Hollywood. The exhibition opened on Friday, Sept. 14 with the announcement of awards for the Juror’s Pick, Edison Peñafiel, and Honorable Mention, Lisa Rockford.

This ninth edition of the Center’s Juried Biennial received applications from 291 artists living in 85 cities throughout Florida. In all, juror Sarah Fritchey reviewed 2,050 works from artists working in any media. The 2018 Florida Biennial focuses on exploring multicultural identities, discussing ecological issues, and imagining a robust cultural climate for Florida within the global economy.

artandculturecenter.org


SPRING, 2018: Ghost Member at Wayfarers Gallery in Brooklyn, NY

I am thrilled to announce my ghost membership with Wayfarers Gallery in Brooklyn, NY.

Wayfarers is an artist-run studio program, art space, and psychic home base for creative action in Brooklyn, NY. Since 2011 we've been supporting the development of experimental work through innovative exhibitions, lectures, screenings, performances, and other cultural programming, all of which are free and open to the public. Wayfarers provides affordable studios, work space and equipment access, as well as exhibition opportunities, critical discussions and social events for members, all of whom who are directly involved with operations.


JULY 28-AUGUST 19, 2018: Color at BWAC, Brooklyn, NY

Juror: Marcela Guerrero, Assistant Curator at the Whitney Museum of American Art.

“In visual perception a color is almost never seen as it really is—as it physically is. This fact makes color the most relative medium in art. In order to use color effectively it is necessary to recognize that color deceives continually. Color is “passive,” “deceptive,” and “unstable,” color behaves, color  is magic.”   – Joseph Albers, Interaction of Color

BWAC Show Curators: Katrina D. Jeffries and Alicia Degener
Gallery Exhibition Dates: July 28 – August 19, 2018 weekends 1-6PM
Opening Reception: Saturday, July 28, 2018 from 1-6PM

http://bwac.org/



MAY 12-JUNE 17, 2018: Wide Open 9, Brooklyn Waterfront Artists Art Coalition, Spring Pier Art Shows, Brooklyn, NY

Juror: Carmen Hermo, the Brooklyn Museum’s Assistant Curator for the Elizabeth A. Sackler Center for Feminist Art.  

I am thrilled to have Soft Wedge selected for the Wide Open 9 Show at the Brooklyn Waterfront Artists Coalition. Please say hi at the opening on Saturday May 12.

WIDE OPEN 9, our ninth spectacular juried show on this theme will be on exhibit May 12 – June 17, 2018.



MARCH 2018: Headed to Jentel Artist Residency this Spring

So excited to return to Jentel Artist Residency in Banner Wyoming this Spring!

jentelarts.org


JUNE 2-25, 2017: Solo Exhibition at 621 Gallery

Excited for my solo show at 621 Gallery in Tallahassee! Opens June 2:  www.621gallery.org/2017/05/fragile-state/

Fragile State

An Exhibition by Cynthia Mason

June 2 – 25, 2017

Opening Reception Friday June 2, 6-9 pm

www.621gallery.org/2017/05/fragile-state/


JUNE-JULY 2017: SKYWAY A Contemporary Collaboration

I am excited to have work in the SKYWAY show at Tampa Museum of Art this summer! See below for more details:


SKYWAY: A Contemporary Collaboration
, opening June 2017

This exhibition is not only a celebration of artistic practice in the Tampa Bay area, but also an exercise in collaboration as it is shared between three institutions: the John and Mable Ringling Museum of Art, Sarasota; the Museum of Fine Arts, St. Petersburg; and the Tampa Museum of Art. Working together, curators from these institutions will provide context for the diversity of art being made in Hillsborough, Manatee, Pinellas, and Sarasota Counties. Works in the exhibition will be selected from an open call by museum curators and a visiting juror.

For more information: skywaytampabay.com

 


MARCH 10-11, 2017: Fine Arts Society of Sarasota Creators & Collectors Tour

I am excited to be a part of the Fine Arts Society of Sarasota Creators & Collectors Tour in the GalleriaGalleria. Below are the details:
- March 10 - March 11
- 10am - 4pm at Ringling College of Art and Design
- Purchase your tickets at fineartssarasota.org

A write up all of the participating artists: facebook.com/Fine-Arts-Society-of-Sarasota-65185840375/


Draped Structure, linen, porcelain, air dry clay, ink, 14k gold wire, wood, styrofoam and wire

JANUARY 13-FEBRUARY 17, 2017: Introductions 2017, Trestle Gallery, Brooklyn NY

Draped Structure, linen, porcelain, air dry clay, ink, 14k gold wire, wood, styrofoam and wire
I am thrilled to announce my work 'Draped Structure' will be in the group show Introductions 2017 curated by Julie Torres at Trestle Gallery in Brooklyn NY.


JULY 2-AUGUST 13, 2016: Solo exhibition at alt_space Gallery, Atlantic Center for the Arts

alt_space3
I am excited to announce my solo exhibition Implosion / Explosion at alt_space, Atlantic Center for the Arts. Please join me at the opening reception on Saturday, July 2, 2016 from 4 - 7 pm.

Opening Reception Date: Saturday July 2, 2016, 4 - 7 PM
Exhibition Dates: July 2 – August 13, 2016       


JULY 16-SEPTEMBER 25, 2016: All Florida Invitational at Boca Raton Museum of Art

all_fla_midsummer_webbox
July 16-September 25, 2016

All Florida Invitational at Boca Raton Museum of Art
bocamuseum.org

The Boca Raton Museum of Art’s annual All Florida exhibition, which has been presented at the Museum since 1951, has long been a hallmark for artists in the Sunshine State. Artists creating in all media eagerly await the opening of the show’s submission period year after year, now they can look forward to an invitation. As an institution founded by artists, a more appropriate way to honor and present the artists in the state is to adapt the format to introduce an artist-centered curatorial selection committee. Participants in this year's All Florida Invitational were selected by a panel of five internationally-recognized, Florida-based artists. Each of these distinguished artists then selected five early-career artists also working in our state. The All Florida Invitational brings the work of the artist-selection committee alongside the work of the artists they believe show great promise.

The All Florida Invitational 2016 presents works by:

Elisabeth Condon, Tampa and Brooklyn
Michael Covello, Tampa
Cindy Mason, St. Petersburg
Shawn Pettersen, Sarasota
Claudia Ryan, Bradenton
Carmen Tiffany, Miami

Edouard Duval-Carrié, Miami
Emilio Martinez, Miami
Kerry Phillips, Miami
Vickie Pierre, Miami
Onajide Shabaka, Miami
Nina Surel, Miami

Christopher Harris, Orlando
Anthea Behm, Gainesville
Jay Flynn, Pensacola
Jon Perez, Orlando
Christina Poindexter, St. Petersburg
Jamilah Sabur, Miami

Carol Prusa, Boca Raton
Carola Bravo, Miami
Amy Gross, Delray Beach
Carlene Muñoz, Miami
Jill Lavetsky, Lake Worth
Bonnie Seeman, Ceramics

Sergio Vega, Gainesville
Kate Helms, Tampa
Sean Miller, Gainesville
Michelle Kelly Rogers, Florida
Marla Rosen and Eddie Negron, Miami
Jack Stenner, Gainesville

 


JULY 2-AUGUST 28, 2016: Inspired Lines, Appleton Museum of Art

drawing, horizon
July 2-August 28, 2016
Inspired Lines: Drawing Biennial 2016
The Appleton Museum of Art is devoting its 2016 Biennial exhibition to the art of drawing and will exhibit colored pencil, graphite and other drawings with an emphasis on works at least 18 x 24 in. and larger. The juror for this exhibition is Alison Ferris, Senior Curator at the Des Moines Art Center.
appletonmuseum.org


solo exhibition, space markers

JANUARY 5-FEBRUARY 13, 2016: Solo Exhibition, Space Markers at Englewood Art Center

January 5-February 13, 2016
Solo Exhibition 'Space Markers' at Englewood Art Center in Sarasota, Florida
ringling.edu


MAY 9-JUNE 28, 2015: All Florida Juried Exhibition, Morean Arts Center

May 9 - June 28, 2015
All Florida Juried Exhibition, Morean Arts Center In St Petersburg, Florida
moreanartscenter.org

The Morean invited artists from the Sunshine State to vie for nearly $2,500 in prizes. Wallace Wilson, Director of the School of Art and Art History at USF selected 59 pieces from over 350 entries. Visitors will discover new talent as well as see recent work from familiar artists in this exhibition.


JUNE 13-JULY 5, 2015: Prepare Now, The Front in New Orleans

June 13-July 5, 2015
Group exhibition 'Prepare Now' at The Front in New Orleans, Louisiana
nolafront.org

EyeSplice Collective
Prepare NOW
In this group exhibition, EyeSplice Collective members creatively examine the weather. Whether it is the personal experience of observing a clearing storm, the tenuous reality of living in a drought state, or charting the wind patterns of a small town in West Virginia, each member of the Collective explores her relationship to the sky. In an age of alarmist, shouting headlines on the Weather Channel alongside the actualities of climate change, this exhibition seeks to balance the chaos of public knowledge with the intimacy of personal experience.

EyeSplice Collective was formed in 2012 by Megan Hildebrandt as a group of high­quality, all­female international artists. Coming out of a mostly­male MFA program, Hildebrandt was starved for female talent, rigor, and community. Since the inception of EyeSplice, the collective has exhibited, lectured, and show films in a variety of venues: The Cultural Center of Spain in Panama, The Mom Gallery in Austin, The Radiator Gallery in Queens, HEREarts Center in Manhattan, and the Morean Arts Center in St. Petersburg, FL.

Maria Raquel Cochez
Megan Hildebrandt
Sara Holwerda
Lauren Alyssa Howard
Sarah Kelly
Magnolia Laurie
Cynthia Mason
Ellen Mueller
Megan Piontkowski
Christine Sajecki


SEPTEMBER 13-OCTOBER 26, 2014: Spatial Disruption, Morean Arts Center


September 13-October 26, 2014

Group Show 'Spatial Disruption' at the Morean Arts Center in St Petersburg, Florida
moreanartscenter.org


AUGUST 25-OCTOBER 5, 2014: The 29th Tallahassee International, FSU Museum of Fine Arts


August 25-October 5, 2014

The 29th Tallahassee International, FSU Museum of Fine Arts in Tallahassee, Florida
https://mofa.fsu.edu/29th-tallahassee-international-2/

painting, ied


painted constructions, the grind shines bright in your eyes

JULY 19-AUGUST 17, 2014: Expanding Mode, Concepto Hudson


painted constructions, the grind shines bright in your eyes

July 19 - August 17, 2014
Expanding Mode, Concepto Hudson in Hudson, New York
conceptohudson.com


MAY 2-JUNE 6, 2014: Practical Feminism, Radiator Gallery, NY

painting, boob

May 2 - June 6, 2014
Practical Feminism, Radiator Gallery in Queens, New York
http://www.radiatorarts.com/practical-feminism/


Open Fridays and Sundays 1-6 pm or by appointment

OPENING RECEPTION: Friday, May 2nd, 6-9 PM

Artists: Maria Raquel Cochez, Michelle Hagewood, Megan Hildebrandt, Sara Holwerda, Lauren Howard, Sarah Kelly, Magnolia Laurie, Cynthia Mason, Ellen Mueller, Briana Phelps, Megan Piontkowski, Christine Sajecki

Curated by Eyesplice Collective Organized by Megan Piontkowski

FOR IMMEDIATE RELEASE:

Many of us have had feminist theory classes in which we read and discussed fascinating ideas, but often found them inapplicable to everyday life. While theory is important and certainly has its place, I am most interested in the practical side of feminism. What do we say to street harassers? How do we respond to a family member or close friend who says something offhandedly sexist? How do we deal with the insidious undercurrent of sexism that pervades our lives? And maybe most difficult of all, how do we handle internalized sexism? Creating a new world order is not without its difficulties.

After thinking long and hard about these subjects, I have come to the conclusion that confrontation is the short answer. Being mindful of your personal safety, tell others that you do not agree with them, and explain why if possible. This is easier said than done, but it’s a good strategy to aspire to. I most often find the discomfort of confrontation to be preferable to the feeling of powerlessness. I would also add that pervasive insidious sexism discourages women from being confrontational, which is just another facet of the problem. We all need to look into ourselves and confront the sexism within. It’s more productive to ask ourselves “am I being sexist?” than to say, “I am not sexist” and leave our inner workings unquestioned and thus unchanged.

Eyesplice Collective is a group of artists working in similar veins in a variety of media. The artists are spread out across Baltimore, Brooklyn, Chicago, West Virginia, Austin and Panama. The collective was founded in 2012 by Megan Hildebrandt who chose artists whose work she felt drawn to and with whom she had built friendships in educational institutions and artists residencies. All the artists in the group happen to be women… Or do they just “happen” to be women? When forming the group, Hildebrandt had just graduated from an MFA program made up almost entirely of men. Maybe she craved the camaraderie that women provide for each other, or perhaps she was just drawn to the work of female artists.

Practical Feminism is a collection of the work of these 12 female artists who show the ways individuals deal with feminism on a practical level. For example, Sara Holwerda inverts the idea of a lap dance in a video in which a chair, an object, stands in for a man. Megan Hildebrandt’s delicate cut paper work meditates on her child as both a part of herself as well as a separate individual. Maria Raquel Cochez’s photographs offer the viewer a difficult set of questions when confronted with her photographic diptych of self-portraits, which show her body with breast implants as well as after they were removed. Magnolia Laurie’s work explores metaphors of survival and persistence in the face of perpetual hurdles and backtracking, something every feminist can relate to. And finally, my own work uses semaphore flags to spell out things I wish I had said to men in response to street harassment.

But wait, you may ask, what does this work do to fix the problem of sexism? How does this art exhibition help the world? I would respond that it is definitely helping the artists who make it, and hopefully some of our viewers as well, and I think that in it self is important.


Drawing, ballpoint pen, graphite, silkscreen, paper

FEBRUARY 3-APRIL 30, 2014: Alumni Drawing Show, Patricia Thompson Gallery

February 3 - April 30, 2014
Alumni Drawing Show, Patricia Thompson Gallery in Sarasota, Florida
ringling.edu

Drawing, ballpoint pen, graphite, silkscreen, paper